Showing posts with label All time top actor. Show all posts
Showing posts with label All time top actor. Show all posts

MEGASTARS OF INDIAN CINEMA


India has seen seven stars achieve mega stardom and two of them are Shahrukh Khan and Salman Khan.

The others being Dilip Kumar, Rajendra Kumar, Dharmendra, Rajesh Khanna and Amitabh Bachchan. 

There is not one name in sight from regional film industries and yet today you see names like Prabhas, Yash, Allu Arjun and others put up with there with two superstars who are not only the biggest superstars of the day but among the biggest ever. 

There are many stars in the industry but it does not mean box office super stardom as this happens to very few. You can have the biggest HITS but what you do in the film has to be a craze and that makes the big difference as many actors have give huge hits over the last 100 years but only 7 are really big box office stars.



1. Dilip Kumar (1952-1964)
Blockbuster films like Aan, Azaad, Insaaniyat, Naya Daur, Madhumati, Paigham, and Kohinoor, which were more in the commercial element of those times, smashed box office records. These films created the superstar Dilip Kumar. The likes of Aan, Azaad, and Insaaniyat also set the precedent for that big-budget Hindi commercial potboiler, which was to dominate Hindi cinema for years and still does. 

The peak of his career came in the early 1960s with films like Mughal-E-Azam (1960) and Ganga Jumna (1961), which created history and remain today among the biggest blockbusters of Hindi cinema. The performance in Ganga Jumna is also probably the greatest ever by an actor in India. The workload slowed after that, though the big hits still came with Ram Aur Shyam (1967) and Gopi (1970), but it was difficult now to fit into that traditional hero format due to age.



2. Rajendra Kumar (1963-1968)


















3. Rajesh Khanna (1969-1974)
Ittefaq (1969) starred Rajesh Khanna in the lead and was released in early October 1969. At this time, Rajesh Khanna was virtually unknown as far as the audience was concerned. It was first released in Mumbai, Kolkata, and Jaipur, and the latter two tanked. But then, at the end of October 1969, a film named Aradhana came out, and Rajesh Khanna became a star, and this built some interest in Ittefaq. Delhi/UP was released a month after Aradhana, and other circuits were released after the historic blockbuster Do Raaste (December 1969), when Rajesh Khanna was a megastar. So basically, it was a low-budget film that was about to meet its waterloo at the box office, but as fate would have it, the male lead of the film became a megastar, and such was the craze at that time that he could pull through a low-budget Ittefaq while sleeping.

Rajesh Khanna saw the Greatest Ever Run at the box office, which lasted from October 1969 to June 1971. It was an extraordinary run because it is unlikely that 14 hits like this will be given by anybody in a span of 21 months again. It could happen again, but not in a short 21-month span. He delivered 14 hits out of 15 films, including nine blockbuster/super hit films.

Rajesh Khanna and Shahrukh Khan are probably the biggest romantic stars in history and its this genre.

Rajesh Khanna lost super stardom in late 72 to early 73 but the films with Mumtaz still worked like Roti, Aap Ki Kasam and Prem Kahani in 74-75.



4. Dharmendra (1971-1987)
One of the biggest stars ever (the biggest ever if we count the number of HITS and successful films). The big breakthrough was the huge blockbuster success of Phool Aur Patthar (1966), which was one of the biggest grossers of that decade and is probably around the 400 crore nett mark in terms of business today. It put Dharmendra among the top five stars and gave him the image of that physical macho star, which was to set the box office fire in the 70's. 

The late sixties saw many huge hits like Aankhen (1968), Shikar (1968), and Aaya Sawan Jhoom Ke (1969), but they did not capitalize on the image that Phool Aur Patthar gave. The rubber stamping of the image came with Mera Gaon Mera Desh in 1971, which was a bigger blockbuster than Phool Aur Pathar. This film also changed the direction of Hindi cinema, as prior to Mera Gaon Mera Desh, the big films were mainly romantic dramas shot in the Kashmir valleys with super-hit music. The mega success of this film made the industry shift to action.

The peak of Dharmendra came in the mid-70s with films like Sholay (1975), Pratiggya (1975), and Dharam Veer (1977). After this, the quality of films dropped, but that initial draw remained intact, driving films to succeed until the early 90's. Eventually, the career saw around 60 jubilee hits and over 100 successful films. These figures are way ahead of the rest, and it can be said with almost 100% certainty that it won't be beaten unless Akshay Kumar or Ajay Devgn (these two have a volume of films today) start giving 3–4 hits a year for the next ten years. Even if this miracle were to happen, the level of success of Dharmendra HITS is far superior, with many films having historic success. Many of these HITS are solo films, but in the 1970's there was a trend toward multistarrers, and Dharmendra worked in many of these as well. The difference here between Dharmendra and the others in the 70's was that when Dharmendra was in a two- or three-hero film, it became his film, and it could be seen by the audience that he was the main lead and the others were in supporting or lesser roles.



5. Amitabh Bachchan (1977-1992)
Many newcomers got paired with Mumtaz as distributors picked up films on her name and one of these newcomers was even future superstar Amitabh Bachchan in Bandhe Haath. Due to the super hit heroine this film fetched a higher price than Zanjeer, the film which made Amitabh Bachchan a star. 

Amitabh Bachchan is the biggest star the country has seen to date. 

In total there could be 30 bumper openings for Amitabh Bachchan as in the eighties and early nineties it was bumper for nearly every film be it that film eventually turned out to be a HIT or FLOP. 

If we go further back and include legends and biggest stars of all time like Dharmendra, Rajesh Khanna and Amitabh Bachchan then its eleven times for Dharmendra (including Tahelka and Kshatriya), four times for Rajesh Khanna and twelve times for Amitabh Bachchan (including Bade Miyan Chhote Miyan, Hindustan Ki Kasam and Kabhi Khushi Kabhie Gham). 



6. Shahrukh Khan (1995-2017), (2023-2024*)
Shahrukh Khan had made an entry with Deewana which was a huge HIT.

Shahrukh Khan does not have many huge disasters as he became a box office force very early in his career. 

Darr had the advantage of the biggest stars of the time with Sunny Deol ruling the roost and Shahrukh Khan closing in on the top spot at the time.

Padmaavat is not a Darr scenario like it was with Shahrukh Khan as the public was with Shahrukh Khan's character in these films and the sympathy went to him which made him a major star. Here the public is not with the character of Ranveer Singh as he is the villian. The last one to do extraordinary business all over was actually a Shahrukh Khan film Darr in 1993. This is probably the most successful thriller genre film in India ever.

Even Shahrukh Khan played second fiddle to Madhuri Dixit in Anjaam but Shahrukh Khan was on a crest of a wave at the time and the audience could not accept him as an outright villain and the film was rejected.

Guddu and Oh Darling Yeh Hai India were taken on before he became a major star with Baazigar and Darr.

In 1995 Dilwale Dulhania Le Jayenge came and created another huge box office Megastar. Action has dominated the box office since the release of Mera Gaon Mera Desh in June 1971 till today and in those 50 years only Shahrukh Khan managed to create a huge fan following without an action image. 

The mega stardom will never come from a biopic though as the actor is unable to leave his stamp on the character like a Shahrukh Khan did in DDLJ or Salman Khan in Dabangg.

Veer Zaara became a super hit due to its medium budget, but it had the projection of a Diwali blockbuster, probably because of the presence of Shahrukh Khan and the huge initial in India and overseas. Record Initial Worldwide without much commercial elements.

Rajesh Khanna and Shahrukh Khan are probably the biggest romantic stars in history and its this genre.

Basically the bigger the star, the bigger the risk with this genre. The more popular you are then the higher the expectations go which just can't be met with the genre especially the sort of number that is expected of a Shahrukh Khan or a Salman Khan starrer. Its difficult to meet expectations anyway and if a few circuits reject the film then the gap between expectation and final result can look huge which is the case with Fan.


The downside of mega stardom is that you can't really go out of the drama, action genre today as box office numbers are reported everywhere and outside these genres you need some outstanding film to put up a megastar number. Even the legendary megastars of prior generations with great box office records are likely to have filmographies devoid of thrillers.


Pathaan will take initials like very few films have before across the world because it is that traditional ALL INDIA MASS FILM for Hindi audiences across the globe and these are a rarity today. On top it has one of the biggest superstar ever of Hindi cinema coming back after a few years.

The admissions were around 23k which is no joke for a film which has already been so widely watched for the last 27 years. The main reason of the response is Shahrukh Khan and shows the superstardom is at was before and now the wait for Pathaan which will see Shahrukh Khan in this type of action zone which has not been seen for years if ever seen.


Pathaan saw Shahrukh Khan in the action genre which should have happened 10-15 years ago as a lot of his non performers were down to genre not being correct at the time of release for such a big star. The superstar works in films more often were superstardom meets genre rather than just depending on superstardom.

Shahrukh Khan is the biggest Indian film star ever seen in overseas and this is pretty much indisputable and he has had sub par movies over the last few years but they have still recorded HIT numbers and now here comes a much better product so there is a good chance that the overseas market can be pushed to another level.

Shahrukh Khan leads as he has not really seen a down period since the early 90's while Aamir Khan and Salman Khan have seen down periods. Even non performers of Shahrukh Khan are not Commercial Zone Event films. Failures came mainly in limited appealing Genres.

It will be called the comeback of Shahrukh Khan and as its a release after fours year it can be called a comeback from that angle but not as a star because the clout was there in 2003, 2013 and now 2023, all Pathaan does is confirm the clout and if not Pathaan something else would have done it.Years of megastardom does not die with 3 or 4 films not performing.

All in all another great day for the film industry as business jumps again in leaps and bounds and this has come with music that has not worked but Shahrukh Khan coming off Pathan with another huge ACTION film was always opening huge and its was just about whether it tops Pathaan opening. The action factor is highlighted in capitals as its of utmost importance as a lot of Hindi films in the last twenty years had gone towards thriller zone and only Salman Khan was doing actions films. Even Shahrukh Khan so called actions films like Don franchise were more towards thriller. Pathan, Gadar 2 and now Jawan are outright action films and opening results are all there for to see.

Animal probably put him behind only Shahrukh Khan as far as box office pegging order goes But these sort of things are not just about one film but time and its also the genre making a big difference be it SRK or Ranbir now as Pathaan, Jawan and Animal is very different from the cinema they had been doing pre pandemic and long may it continue.



7. Salman Khan (2010-2019)
Saajan had Sanjay Dutt and Salman Khan while Beta had Anil Kapoor but generally it was Madhuri Dixit leading the way in these films. Then came the peak with Hum Aapke Hain Kaun and Raja and it could be that no heroine had ever reached this level.

“The other side of the industry will believe its difficult to make good female driven films but thats not the case either as a Mother India and Hum Aapke Hain Kaun stand with the male testosterone driven Sholay and Gadar as historic blockbusters in Hindi cinema.” 

“Gone are the days of Rajhshris when these sort of stories without the stars reached out to the wider audience and that too when there were only single screens.”

The film (Judwaa 1997) was also the film which gave the career of Salman Khan a major lift as although he had much bigger Hits than Judwaa before they were either two hero films like Saajan, Karan Arjun and Jeet or ensemble cast ones like Hum Aapke Hain Kaun and Sanam Bewafa where the supporting artistes have major roles.

In 2009 came Wanted which was not a huge hit but created this action star image for Salman Khan who until then was more of a romantic hero. He consolidated this image with films like Dabangg and Bodyguard and there was no looking back. These film were not the biggest blockbusters of the career of Salman Khan but created an image where the huge openings materialized which was not the case with some of the earlier bigger hits. 

A male star has to do something in a film where the audience takes to him in the big way and for Salman Khan it happened with Dabangg and not Hum Aapke Hain Kaun. It was not only Dabangg as one film cant lead to such super stardom but others like Bodyguard and Ek Tha Tiger which helped cement the audience.

Even a Salman Khan starrer London Dreams comes up on the list but it was before his superstar days which started with Dabangg(2010) and the way things are going it won't be there forever as there will be some 50 crore plus budget film which will do less than 25 crore nett over the next few years.

The mega stardom will never come from a biopic though as the actor is unable to leave his stamp on the character like a Shahrukh Khan did in DDLJ or Salman Khan in Dabangg.

There are many stars in the industry, but that does not mean box office super stardom, as this happens to very few. It’s not only box office numbers because, as you pointed out, there was Hum Aapke Hain Koun, which is a far bigger hit than Dabangg and the biggest hit in a generation. A male star has to do something in a film where the audience takes to him in a big way, and for Salman Khan, it happened with Dabangg and not Hum Aapke Hain Kaun. It was not only Dabangg as one film that could lead to such super stardom but others like Bodyguard and Ek Tha Tiger, which helped cement the audience from where there was no looking back. A similar scenario took place with Shahrukh Khan in Dilwale Dulhania Le Jayenge and Sunny Deol in Ghayal. You can have the biggest hits, but what you do in the film has to be a craze, and that makes a big difference, as many actors have given huge hits over the last 100 years, but only seven actors are really big box office stars.

One crore footfalls also means reaching an audience although some films need to reach a bigger audience due to the size of the films and most Salman Khan films come into this category. The one miss was Veer (2010) which was his first release of the decade and became before Dabangg (2010) which established his image of a mass action superstar across India and then films like Bodyguard, Ready and Ek Tha Tiger rubber stamped this image. Veer actually scored in Rajasthan and Bihar but Salman Khan was not the same star at the time of this release as he was a year or two later. 

 

Basically just one film under 1 crore footfalls through the whole decade means most of his films got an audience irrelevent of content. If we compare then Aamir Khan had one film which fell under 1 crore footfalls in the 2000-2009 decade but there were just nine releases and Manoj Kumar had one miss in the 1970-1979 decade but only ten films. Limited films had a hand in not missing the 1 crore mark for Aamir Khan and Manoj Kumar. 




The 100 year plus history of cinema in India has seen around seven genuine superstars or megastars. We say genuine as regional superstars are called superstars today while stars and mini stars also get called superstars so the word superstar looses value. 

When historians right about Indian cinema then it may well be that the names of Dilip Kumar, Amitabh Bachchan and Shahrukh Khan are top of the pile due to various reasons.

United Kingdom Evolution - £100k To £4 Million Of Pathaan

 


Pathaan has breached the £4 million mark in United Kingdom as it sits on around £4.3 million till date and there is a little more to come. This number was just unthinkable before the release of Pathaan as the biggest films were just getting over the £1 million.

 

 

It was believed within the UK market that if Shahrukh Khan delivered a good film then the records of Dhoom 3 and Bajrangi Bhaijaan should be in danger and maybe even the £3 million mark. The expectations should have been higher as films were crossing £2 million 15-20 years ago but the market was just not the same as as before.

 

United Kingdom has always been the main overseas market for Hindi films since the last ten years when it diminished. The circuit has a long history of Hindi releases since the 50's and it was in the mid 60's that releases became regular. Below is the evolution of the United Kingdom market for Hindi films from £100k to £4 million

 

 

£100k - Do Raaste (1970) - The first film to break the £100k as it did a share of 9 lakhs and a gross of a little over £100k in United Kingdom. The music of the film was a rage.

 

 

£250k - Purab Aur Paschim (1971) - A historic BLOCKBUSTER in UK which was a golden jubilee hit running for over 50 weeks in London. The shows were weekend shows only but this film had a show every week for 50 weeks. The share in United Kingdom was an insane 25 lakhs and the film grossed around £285k.

 

 

£500k and £1 million - The Purab Aur Paschim record was finally broken 23 years later with the release of Hum Aapke Hain Kaun (1994) which took the market to another level. The market had deteriorated due to video and it was this film that bought the audiences back again and Hindi films started to being consumed in cinemas as well rather than at home. Kum Aapke Hain Hain grossed £1.05 million in United Kingdom.

 

 

£1.5 million - After £1 million being breached it was not long that £1.5 million came along as Dilwale Dulhania Le Jayenge (1995) crossed  the mark the very next year. It was the landmark film which made Shahrukh Khan a huge megastar in United Kingdom and overseas. Dilwale Dulhania Le Jayenge grossed £1.58 million in United Kingdom.

 

 

£2 million - This mark was hit in 2001 with Kabhi Khushi Kabhie Gham (2001) which was a rage and remained the biggest grosser for 9 nine years and still probably has the highest number of footfalls for a Hindi film in the modern era in United Kingdom. Kabhi Khushi Kabhie Gham grossed £2.5 million

 

 

£3 and £4 million - Pathaan(2023) did the job on both these benchmarks as it takes the business in United Kingdom to another level. It is the biggest blockbuster in UK since Kabhi Khush Kabhie Gham and it is only Shahrukh Khan who can break this record and even target the next benchmark which is £5 million. Pathaan will probably end up with around £4.4 million mark.

 

 

Note - There were films like Bobby (1973), Roti Kapada Aur Makaan (1974) and Dharam Veer (1977) which went close or had a similar share to Purab Aur Paschim but the grosses were lower. It was all rentals then and post the insane success of Purab Aur Pashchim recovery became faster. Dharam Veer had a record initial of £50k in just 23 shows in 5 cities driven by the blockbuster music with two Mohammad Rafi solo's becoming a rage. Even in those days it was the music which could take a film to another level in UK and its pretty much the same today.

Vinod Khanna Passes Away




Govinda (Actor) Filmography




















Govinda (Actor) Filmography

Rank

Film

Release Date

Nett Gross

Verdict

1

Love 86

February 14, 1986

-

Hit

2

Ilzaam

February 28, 1986

-

Super Hit

3

Tan Badan

April 25, 1986

-

Flop

4

Sadaa Suhagan

August 15, 1986

-

Semi Hit

5

Duty

January 1, 1986

-

Average

6

Dadagiri

January 30, 1987

-

Average

7

Pyar Karke Dekho

February 27, 1987

-

Average

8

Mera Lahoo

March 13, 1987

-

Flop

9

Marte Dam Tak

July 17, 1987

-

Super Hit

10

Khudgarz

July 31, 1987

-

Super Hit

11

Sindoor

August 14, 1987

-

Hit

12

Dariya Dil

January 8, 1988

-

Super Hit

13

Ghar Mein Ram Gali Mein Shyam

January 15, 1988

-

Disaster

14

Shiva Shakti

March 25, 1988

-

Flop

15

Jeete Hain Shaan Se

April 1, 1988

-

Average

16

Pyar Mohabbat

May 27, 1988

-

Flop

17

Hatya

June 3, 1988

-

Hit

18

Ghar Ghar Ki Kahani

June 30, 1988

-

Hit

19

Tohfa Mohabbat Ka

July 22, 1988

-

Flop

20

Halaal Ki Kamai

August 5, 1988

-

Flop

21

Paap Ko Jala Kar Rakh Kar Doonga

September 24, 1988

-

Flop

22

Sachai Ki Taaqat

January 6, 1989

-

Flop

23

Dost Garibon Ka

January 13, 1989

-

Flop

24

Do Qaidi

February 24, 1989

-

Average

25

Aasman Se Ooncha

March 3, 1989

-

Flop

26

Farz Ki Jung

March 17, 1989

-

Flop

27

Gair Kanooni

March 24, 1989

-

Below Average

28

Aakhri Baazi

April 14, 1989

-

Flop

29

Biloo Badshah

April 28, 1989

-

Below Average

30

Jaisi Karni Waisi Bharni

June 2, 1989

-

Super Hit

31

Jungbaaz

June 16, 1989

-

Hit

32

Taaqatwar

June 16, 1989

-

Semi Hit

33

Gentleman

July 28, 1989

-

Disaster

34

Gharana

December 2, 1989

-

Flop

35

Paap Ka Anth

December 8, 1989

-

Average

36

Maha-Sangram

January 12, 1990

-

Below Average

37

Taqdeer Ka Tamasha

March 12, 1990

-

Flop

38

Awaargi

January 26, 1990

-

Disaster

39

Naya Khoon

April 6, 1990

-

Disaster

40

Izzatdaar

March 6, 1990

-

Below Average

41

Kaali Ganga

July 1, 1990

-

Disaster

42

Swarg

May 18, 1990

-

Semi Hit

43

Apmaan Ki Aag

December 21, 1990

-

Flop

44

Hum

February 1, 1991

-

Semi Hit

45

Karz Chukana Hai

April 26, 1991

-

Flop

46

Bhabhi

August 23, 1991

-

Flop

47

Kaun Kare Kurbani

August 30, 1991

-

Disaster

48

Raiszaada

September 13, 1991

-

Disaster

49

Shola Aur Shabnam

February 7, 1992

-

Super Hit

50

Jaan Se Pyara

May 22, 1992

-

Flop

51

Zulm Ki Hukumat

July 17, 1992

-

Average

52

Radha Ka Sangram

July 31, 1992

-

Disaster

53

Baaz

November 6, 1992

-

Average

54

Aankhen

April 9, 1993

12,84,50,000

SUPER BLOCKBUSTER

55

Prateeksha

May 7, 1993

70,00,000

Flop

56

Muqabla

May 14, 1993

3,40,00,000

Semi Hit

57

Zakhmo Ka Hisaab

June 4, 1993

20,00,000

Disaster

58

Aadmi Khilona Hai

September 3, 1993

80,00,000

Disaster

59

Bhagyawan

December 10, 1993

2,00,00,000

Flop

60

Tere Payal Mere Geet

December 17, 1993

47,75,000

Disaster

61

Raja Babu

January 21, 1994

8,23,50,000

Super Hit

62

Dulaara

January 28, 1994

3,51,00,000

Average

63

Prem Shakti

February 25, 1994

1,22,00,000

Disaster

64

Khuddar

March 25, 1994

4,50,50,000

Semi Hit

65

Ekk Raja Rani

June 24, 1994

2,47,00,000

Flop

66

Aag

August 12, 1994

3,21,75,000

Flop

67

Brahma

September 2, 1994

2,11,00,000

Flop

68

Beta Ho To Aisa

October 21, 1994

81,50,000

Disaster

69

Andolan

March 3, 1995

6,05,00,000

Average

70

Haathkadi

March 31, 1995

4,87,00,000

Below Average

71

Kismat

June 16, 1995

2,63,00,000

Flop

72

Coolie No. 1

June 30, 1995

12,56,00,000

Super Hit

73

Gambler

December 8, 1995

7,17,00,000

Flop

74

Saajan Chale Sasural

April 12, 1996

13,82,00,000

Super Hit

75

Maahir

July 19, 1996

1,51,00,000

Disaster

76

Zordaar

October 11, 1996

77,00,000

Flop

77

Chhote Sarkar

November 22, 1996

3,93,00,000

Flop

78

Hero No. 1

February 21, 1997

17,08,00,000

Super Hit

79

Do Aankhen Barah Haath

July 11, 1997

2,39,00,000

Flop

80

Agnichakra

September 26, 1997

55,00,000

Disaster

81

Deewana Mastana

October 10, 1997

13,59,00,000

Hit

82

Banarasi Babu

January 30, 1998

5,58,00,000

Flop

83

Aunty No. 1

May 1, 1998

5,34,00,000

Below Average

84

Achanak

June 12, 1998

4,06,00,000

Flop

85

Dulhe Raja

July 10, 1998

12,75,00,000

Hit

86

Maharaja

September 4, 1998

6,35,00,000

Flop

87

Bade Miyan Chote Miyan

October 16, 1998

19,19,00,000

Hit

88

Pardesi Babu

November 13, 1998

5,26,00,000

Flop

89

Naseeb

December 18, 1998

1,49,00,000

Disaster

90

Anari No.1

April 9, 1999

10,24,00,000

Semi Hit

91

Rajaji

May 21, 1999

4,35,00,000

Flop

92

Haseena Maan Jayegi

June 25, 1999

15,02,00,000

Hit

93

Hum Tum Pe Marte Hain

September 24, 1999

6,23,00,000

Flop

94

Hadh Kar Di Aapne

April 14, 2000

11,31,00,000

Average

95

Joru Ka Ghulam

June 16, 2000

7,56,00,000

Below Average

96

Kunwara

July 21, 2000

10,77,00,000

Below Average

97

Shikari

October 6, 2000

4,95,00,000

Flop

98

Jis Desh Mein Ganga Rehta Hain

October 13, 2000

7,03,00,000

Flop

99

Beti No.1

November 10, 2000

11,00,000

Disaster

100

Jodi No.1

April 13, 2001

18,90,00,000

Hit

101

Albela

April 20, 2001

10,53,00,000

Flop

102

Dil Ne Phir Yaad Kiya

September 7, 2001

70,00,000

Disaster

103

Kyo Kii... Main Jhuth Nahin Bolta

September 21, 2001

7,95,00,000

Flop

104

Aamdani Atthani Kharcha Rupaiyaa

December 21, 2001

6,12,00,000

Below Average

105

Pyaar Diwana Hota Hai

April 26, 2002

1,09,00,000

Disaster

106

Akhiyon Se Goli Maare

August 2, 2002

3,10,00,000

Flop

107

Waah! Tera Kya Kehna

November 1, 2002

1,80,00,000

Disaster

108

Chalo Ishq Ladaaye

December 27, 2002

1,05,00,000

Disaster

109

Ek Aur Ek Gyarah

March 28, 2003

11,71,00,000

Below Average

110

Raja Bhaiya

October 24, 2003

1,65,00,000

Disaster

111

Khullam Khulla Pyaar Karen

April 29, 2005

75,00,000

Disaster

112

Ssukh

June 17, 2005

9,00,000

Disaster

113

Sandwich

August 25, 2006

47,00,000

Disaster

114

Bhagam Bhag

December 22, 2006

40,38,00,000

Hit

115

Salaam-E-Ishq

January 26, 2007

22,68,00,000

Disaster

116

Jahan Jaaeyega Humen Paaeyega

July 6, 2007

15,00,000

Disaster

117

Partner

July 20, 2007

60,04,00,000

Super Hit

118

Money Hai Toh Honey Hai

July 25, 2008

3,87,00,000

Disaster

119

Chal Chala Chal

February 6, 2009

1,30,00,000

Disaster

120

Life Partner

August 14, 2009

20,67,00,000

Flop

121

Do Knot Disturb

October 2, 2009

16,93,00,000

Flop

122

Raavan

June 18, 2010

28,98,00,000

Flop

123

Naughty @ 40

April 29, 2011

1,39,00,000

Disaster

124

Loot

November 4, 2011

3,20,00,000

Disaster

125

Deewana Main Deewana

February 1, 2013

33,00,000

Disaster

126

Kill Dil

November 14, 2014

30,16,00,000

Flop

127

Happy Ending

November 21, 2014

19,47,00,000

Disaster

128

Aa Gaya Hero

March 16, 2017

1,25,00,000

Disaster

129

FryDay

October 12, 2018

1,53,00,000

Disaster

130

Rangeela Raja

January 18, 2019

34,00,000

Disaster

 

TOTAL

130 [34 years]

 

SUCCESS COUNT : 41/130

 

AVERAGE

3.82 PER YEAR

 

SUCCESS RATIO : 31.54%

 

 

 

 

HIT COUNT : 23/130

 

 

 

 

All Time Blockbuster : 0

 

1986-1989 (4 Years)

35 MOVIES

 

Super Blockbuster : 1

 

1990-1994 (5 Years)

33 MOVIES

 

Blockbuster : 0

 

1995-1999 (5 Years)

24 MOVIES

182,78,00,000

Super Hit : 11

 

2000-2004 (5 Years)

17 MOVIES

 

Hit : 11

 

2005-2009 (5 Years)

11 MOVIES

 

Semi-Hit : 7

 

2010-2014 (5 Years)

6 MOVIES

 

Average : 11

 

2015-2019 (5 Years)

3 MOVIES

 

Below Average : 10

 

 

 

 

Flop : 43

 

 

 

 

Disaster : 36

 

 

 

 

INDIA HGOTY : 1

 

 

 

 

OVERSEAS HGOTY : 0

 

 

 

 

WORLDWIDE HGOTY : 1

 


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