Showing posts with label Hrithik Roshan. Show all posts
Showing posts with label Hrithik Roshan. Show all posts

Tiger Shroff Changes The Star Equation

Baaghi 2 released over a few weeks back has changed the equations as far as the star pecking order is considered. Tiger Shroff has come out of the blue with this film to stand on the tails of the big five (Khans, Akshay Kumar and Hrithik Roshan). In fact it could even be said that it will be Tiger Shroff that will be the driver of the untitled Hrithik Roshan / Tiger Shroff film to be released next October.

Tiger Shroff is at that point where a film has created an image and its up to him to either consolidate this over the next 2-3 years to become that big popular box office star or let the opportunity go and remain the normal star or even fade. If we look back over the last 30 years then these moments have arrived six times and three times they have been taken, twice missed and this one remains to be seen. The difference between Tiger Shroff and his contempories after Baaghi 2 is that he has become a man from a boy but the real battle starts now for him as its the consolidation that is harder than that one big opener which gives the chance to be a huge box office draw.

In 1990 Ghayal hit the screens and gave Sunny Deol that huge action image which he consolidated through the 90's with many super hits and if it was action and the film was poor it still opened to full houses. Ghayal released with Dil which was actually a bigger hit in the first six months of the their respective runs but the business of Ghayal went ahead within the next year as repeat runs did huge business as the image got stronger and stronger with time.

In 1995 Dilwale Dulhania Le Jayenge came and created another huge box office star. Actually it was not Dilwale Dulhania Le Jayenge that made Shahrukh Khan the big box office star as he became already big after Baazigar & Darr. After DDLJ release Romantic image was created busting the box office. Action has dominated the box office since the release of Mera Gaon Mera Desh in June 1971 till today and in those 47 years only Shahrukh Khan managed to create a huge fan following without an action image.

Then came the turn of Hrithik Roshan in 2006 as Krrish and Dhoom 2 hit screens within six months and the industry was on a verge of a huge action / dancing star but there was no consolidation. The next five years saw Jodhaa Akbar, Kites, Guzaarish and Zindagi Na Milegi Dobara, not one film was in the Krrish and Dhoom 2 zone which had created a potential megastar and although films like Krrish 3 and Bang Bang came later, the star draw was not the same as 2006 due to the likes of Zindagi Na Milegi Dobara and Guzaarish pushing the potential superstar down.

In 2009 came Wanted which was not a huge blockbuster but created this action star image for Salman Khan who until then was more of a romantic hero. He consolidated this image with films like Dabangg and Bodyguard and there was no looking back. These film were not the biggest blockbusters of the career of Salman Khan but created an image where the huge openings materialized which was not the case with some of the earlier bigger hits. A hugely popular box office star was created who till today dominates the ticket windows eight years later.

In 2013 it was the turn of Ranbir Kapoor with Yeh Jawaani Hai Deewani putting him on a pedestal with the youth going crazy over and it was just a matter of time when another huge star with youth on his side dominates the box office. But the audience has never seen Ranbir Kapoor in that Yeh Jawaani Hai Deewani format again and its been five years and those sort of chances rarely come again. A Raj Kumar Hirani film may turn out to be a bigger hit but its a biopic and it will not be your personality on screen but someone else so the impact is nothing like a Yeh Jawaani Hai Deewani for the audience. The mega opening of a poor film like Besharam released five months after Yeh jawwani Hai Deewani was a sign of what could have been  but it was not to be.

Now its 2018 and Tiger Shroff is in the position where the guys above were and its about consolidating your image over the next 2-3 years if you can. There will be a lot of trashing by the media when you play to an image especially an action one, the films will not get not get stars and you will be told you are not a actor but you will have to rise above that and go by the facts and figures which never lie. All it takes is a mistake or two and you never get that time back again.


The audience will expect different films but with image intact and it remains to be seen if Tiger Shroff goes the Sunny Deol, Shahrukh Khan and Salman Khan way or misses the killer opportunity like Hrithik Roshan or Ranbir Kapoor. There will be stars in the younger generation that see image as a hindrance but it does not work that way as an image still allows you work in other genres as long as long as its in the commercial format. Yes the arty stuff is a risk but you cant have it both ways as stardom creates expectations and these expectations can only be matched or exceeded with popular cinema.

Raees Kaabil - India Overseas Worldwide Result


Raees won the clash with Kaabil by around 129 Crore
if Worldwide figures are taken and by around 44.50 crore in
terms of India nett business.
The film has come to the end of its run in India and may go
to a few small markets Overseas to add a little there.


The business details of Raees for 37 days is as follows.
India Nett - 1,31,10,00,000
India Gross - 1,82,23,00,000

Overseas Gross ($) - $14,100,000
Overseas Gross (INR) - 95,88,00,000

Worldwide - 2,78,11,00,000


The business details of Kaabil is as follows.
The figures are for 37 days and there is not much left in the tank.
India Nett - 86,55,00,000
India Gross - 1,14,72,00,000

Overseas ($) - $5,080,000
Overseas (INR) - 34,29,00,000

Worldwide (INR) - 1,49,01,00,000








 

Newcomers Since 1994 - Top Opening Day Collections


Mirziya has opened to very low numbers and this the case with most newcomer films Below is a list of the opening day figures of newcomer films since 1994 where generally the male lead is a newcomer and in some films the pairing itself is being introduced. In the last few years Student Of The Year, Heropanti and Hero (Salman Khan factor) have got what can be called good openings. Jaane Tu... Ya Jaane Na had a good opening in 2008 (Aamir Khan factor). Saawariya in 2007 also opened well but as it was a clash with Om Shanti Om the figures looked low as the Shahrukh Khan film was almost double.


The last time that newcomer films took a huge start was along time ago. Refugee in 2000 and before that Barsaat in 1995. The former actually broke the opening day record as it was the entry of Amitabh Bachchan's son and the director J.P. Dutta was coming off one the biggest hits of all time Border and this was again a similar type of film and the audience came in hordes to watch initially. Kaho Na... Pyaar Hai took an excellentl in Mumbai circuit. Below are the opening day collections of newcomer films snce 1994. There may be some smaller films but those are not included and the list is of films which had good awareness at time of release.

Aa Gale Lag Jaa (1994) - 20,00,000
Prem (1995) - 26,00,000
Barsaat (1995) - 68,00,000
Tere Mere Sapne (1996) - 21,00,000
Himalay Putra (1997) - 43,00,000
Prem Aggan (1998) - 44,00,000
Kaho Naa... Pyaar Hai (2000) - 51,00,000
Refugee (2000) - 1,56,00,000
Mujhe Kucch Kehna Hai (2001) - 81,00,000
Tum Bin (2001) - 15,00,000
Maine Dil Tujhko Diya (2002)  - 85,00,000
Jism (2003) - 67,00,000
Ishq Vishq (2003) - 58,00,000
Taarzan - The Wonder Car (2004) - 67,00,000
Saawan - The Love Season (2006) - 80,00,000
Saawariya (2007) - 3,00,00,000
Love Story 2050 (2008) - 2,07,00,000
Jaane Tu...Ya Jaane Na (2008) - 3,45,00,000
Band Baaja Baarat (2010) - 95,00,000
Vicky Donor (2012)- 1,97,00,000
Ishaqzaade (2012) - 4,49,00,000
Student Of The Year (2012) - 7,52,00,000
Heropanti (2014) - 6,51,00,000
Hero (2015) - 6,69,00,000
Mirziya (2016) - 1,75,00,000 apprx

Three Biggest DISASTERS 2010-2019 Decade

Its a bad time in the industry with nothing outside Khan films putting up the big numbers though budgets have increasing fast over the last few years. The 100 crore cost including marketing which was first crossed by Ra.One in 2011 is now nothing major. This has resulted in the three biggest box office disasters in the history of Hindi cinema over the last 18 months. The disasters come week in week out as the Hindi film industry churns out on average four films a week but most of these films have no chance anyway as no one really knows about them. The real disasters are films with a spend and then they come a cropper.


The first mega disaster was released on 10 April 2015. Calling this film a mega disaster is being very kind, there has been nothing like this before or possibly will never come again. Broken Horses was a film made for international audiences by a Hindi filmmaker but no one saw the film and actually its best numbers came in India despite being for International audiences. The film was reported to be made at a cost of $16.5million (102 crore, April 2015 rates) by the western press but that seems typical of an Indian filmmaker, giving an exaggerated budget and its probably around 50-60 crore. The recovery for the film from all revenue sources was 75 lakhs. If a film 30 years ago cost 3 crore and recovered 75 lakhs it was a mega disaster, here its 60 crore and possibly 102 crore if the maker is to be believed. Its hard to give a hit but probably even harder to give a disaster of this proportion. The US / Canada business for whom the film was made for had a lifetime of $31k.

The second mega disaster was released on 18 May 2015. Bombay velvet had a cost of 118 crore and its recovery from all sources was around 29 crore giving it a loss of 89 crore. At the time Ranbir Kapoor was an upcoming star but the total rejection of this film hit him the hardest. It was just unbelievable that a niche film was made at such a high cost. Though with such high cost, the actors and technical team would have benefited in terms of remuneration on the account of the people funding the film.

The third mega disaster was released last month on 12 Aug 2016. Mohenjo Daro cost around 138 crore to produce and release an its recovery from all revenue sources will be around 55 crore giving it a loss of around 83 crore. The film is probably not as big as disaster as the films above but still the losses are huge as the budget too high for film which holds little relevance with today's audience. It also has a knock back affect on an established star like Hrithik Roshan and makes the future projects look much weaker than the were pre Mohenjo Daro.

The order for the disasters would be
1. Broken Horses (This will be tough to beat))
2. Bombay Velvet
3. Mohenjo Daro


Kabhi Khushi Kabhie Gham : The International Phenomenon


Kabhi Khushi Kabhie Gham was released during Eid 2001 and it smashed all opening records across the world for an Indian movie. 
In UK it actually featured among the top three openers of the week including all Hollywood releases. 
Despite skepticism in the trade as to whether it will work outside big centres, the film opened to around 7 crore nett collections on its first weekend (a figure which only 5-6 films till then had managed in the whole week) in India with the week finishing around 14.38 crore nett. 
The domestic opening week collections were 70% higher than the previous record and never before had opening records been smashed by such big margins, infact even till now opening records have never been smashed by such huge margins.
 In Delhi city its opening week collections were touching 2.5 crore nett while the previous record was just 1.10 crore nett and it was five years later that any film got close to 2 crore nett in Delhi city again. 
Kabhi Khushi Kabhie Gham also set record new records for second and third week business by grossing 10.50 crore nett and 8 crore nett respectively. 
It went on to be The Highest Grossing Indian Film Of All Time Worldwide beating Gadar Ek Prem Katha which released 6 months before. 

Kabhi Khushi Kabhie Gham also found a place in Top Three Domestic Grossers of All Time and the second biggest Grosser of 2001. 

In the Overseas it was a sensation and is still probably the biggest hit ever in the Overseas market even though films today are crossing $30-40 million while Kabhi Khushi Kabhie Gham did around $9 million in 2001. The big difference is print count, Kabhi Khushi Kabhie Gham release on around 125 prints while today films are releasing on 8-9 times more prints and in many more territories. Kabhi Khushi Kabhie Gham is one of the true Worldwide All Time Blockbusters of Hindi cinema. For the Overseas market it is what Sholay is to the Domestic market.





BOXOFFICEINDIA "YOU ASKED IT" (2010)


Q. Which film is the biggest hit of Anil Kapoor's career till date?
A. Its a toss up between Tezaab, Ram Lakhan and Beta. Welcome can be also be included but Anil Kapoor is not really main lead in that film.


Q. Is the business of films so low lately due to the IPL competition?
A. Not really its more to due with films being released. A film will good content will be not be affected tha much by IPL, maybe around 5%. Three Idiots did 200 cr plus nett business if IPL was going on at that time it still would have done at least 190 crore.


Q. Was Himmatwala the biggest hit for Jeetendra?
A. No, Dharam Veer was, for solo lead it was Aasha. The south remakes like Himmatwala did phenomenally well in Mumbai but were average grossers in the North.


Q. Why is it that Hindi films are doing so bad overseas this year?
A. Apart from My Name Is Khan there has not been a film which has the type of content which does well abroad and My Name Is Khan released this year was the biggest grosser ever overseas. The market is there it just needs the right film.



Q. What was the main reason that Dabangg got such a mammoth opening?
A. Salmam Khan in right role, great promos, hit music, huge hype. The film had many plusses


Q. I can't understand the difference of Gadar and Three idiots in there nett and gross figures. Gadar is 72% plus nett and Three Idiots 33% plus nett, can you explain please?
A. There is a huge difference in tax rates in 2001 and 2009. In 2001 Punjab had an entertainment tax rate of 125%, Delhi was 60%, Bihar was 110%, today its 0%, 20% and 50% respectively. Its the same all over with much lower rates today. Today the gross of a film will be 30-35% plus nett depending on where the money is coming from while in 2001 it was 65-75% plus nett depending on where the money was coming from.


Q. Would it not be good for films like Three Idiots and Dabangg to be dubbed in Tamil and Telugu for extra returns like Endhiran was done in Hindi?
A. Not really. Three Idiots in Hindi gave an 11.50 crore share in the South and then fetched 15 crore for its Tamil rights. There is no way it would have made this much money if was released in Tamil and if it was to release in Tamil then the rights would go for much less. The Robot share for Hindi is going to be 10 crore and then you have the print and publicity costs while when selling rights there are no such costs. It is always more profitable to sell the rights for a big Hindi blockbuster instead of releasing a dubbed version.


Q. Why is Ajay Devgn not in your top 10, will he be there after Golmaal 3 ?
A. Its all points system so even Golmaal 3 may not put him in top ten as the amount of points that Golmaal 3 gets is less than the amount of points that Aakrosh loses. Ajay Devgn has only two point earning films in Raajneeti and Golmaal 3 but many losing ones like Aakrosh, Atithi Tum Kab Jaoge, London Dreams etc.


Q. Why did Guzaarish take such a bad opening even with presence of Hrithik Roshan?
A. Mainly because promos showed it lacked entertainment and its not a genre you try after movie like Kites.


Q. Is Endhiran - Robot an All Time Blockbuster and the biggest profit maker in Indian cinema ever
A. Its theatrical business is All Time Blockbuster in Tamil Nadu, Karnataka and Kerala. Blockbuster in Andhra Pradesh. In rest of the country the theatrical is Average. Profits wise its an average fare as it was sold at huge prices to cover its mega budget. The return on investment will be about 10-15%. In Karnataka it has done business double of any film till date but due to huge price it will just about break even. All India basis its highest nett grosser of Indian cinema but all Indian gross will be much lower than 3 idiots.


Q. Guzaarish and the performance of Hrithik Roshan in it has been lauded by everyone be it media, film forums and even big stars but then why does the film have such bad collections.
A. Thats because the views on the net and even big stars are more like the elite/class audience mainly English speaking which is different from the common audience.


Q. Which film is the biggest hit of 2010 in music sales?
A. Its a one horse race. Dabanng is way out ahead, nothing else is close.Last year it was closer with Love Aaj Kal and Ajab Prem Ki Ghazab Kahani.


Q. Can Toonpur Ka Superhero do well as it is an animation film for Christmas?
A. Animation films do not have a market in India and on top the film it is coming with a hurricane like Tees Maar Khan. It will biggest surprise of the year if Toonpur Ka Superhero does well at the box office.


Q. Which films are the biggest grossers overseas this year?
A. My Name Is Khan, Dabangg, Kites, Golmaal 3 and Housefull. Tees Maar Khan will be somewhere in the list.


Q. Is the music of Tees Maar Khan on par with Dabanng?
A. The music of Tees Maar Khan is second for 2010 but a long way behind Dabangg. The film will have to be a huge hit then the music may catch Dabangg.


Q. Why is it that films that always take these record opening like Tees Maar Khan are always hit even when they drop from Monday?
A. Its not always been the case films like Trimurti (1995), Koyla (1997), Mission Kashmir (2000) and Hindustan Ki Kasam (1999) all had record openings but none managed to become hits. Over last few years business has become about the first three days, if you get the big three days then you are on your way but no opening weekend and then its a struggle.


Q. Which films are the biggest worldwiide grossers in 2010?
A. Dabangg, My Name Is Khan and Golmaal 3.

Top 10 Onscreen Jodi (2000-2009)

1. SHAHRUKH KHAN & AISHWARYA RAI

 








2. HRITHIK ROSHAN & AISHWARYA RAI












3. SHAHRUKH KHAN & MADHURI DIXIT










4. SHAHRUKH KHAN & PREITY ZINTA


 







5. SAIF ALI KHAN & PREITY ZINTA








6. AKSHAY KUMAR & PRIYANKA CHOPRA


 







7. AKSHAY KUMAR & KATRINA KAIF










8. SHAHRUKH KHAN & RANI MUKHERJEE









9. SHAHID KAPOOR & KAREENA KAPOOR










10. HRITHIK ROSHAN & PREITY ZINTA 





Hrithik Roshan (Actor) Filmography




























Hrithik Roshan (Actor) Filmography

Rank

Film

Release Date

Nett Gross

Verdict

1

Kaho Naa... Pyaar Hai

14-Jan-00

44,28,00,000

Super Blockbuster

2

Fiza

08-Sep-00

14,67,00,000

Semi Hit

3

Mission Kashmir

27-Oct-00

22,99,00,000

Average

4

Yaadein

27-Jul-01

14,65,00,000

Flop

5

Kabhi Khushi Kabhie Gham...

14-Dec-01

55,65,00,000

Blockbuster

6

Aap Mujhe Achche Lagne Lage

19-Apr-02

9,59,00,000

Flop

7

Na Tum Jaano Na Hum

10-May-02

8,14,00,000

Disaster

8

Mujhse Dosti Karoge!

09-Aug-02

12,95,00,000

Flop

9

Main Prem Ki Diwani Hoon

27-Jun-03

17,80,00,000

Flop

10

Koi Mil Gaya

08-Aug-03

47,20,00,000

Super Hit

11

Lakshya

18-Jun-04

23,56,00,000

Flop

12

Krrish

23-Jun-06

72,15,00,000

Blockbuster

13

Dhoom 2

24-Nov-06

81,01,00,000

Blockbuster

14

Jodhaa Akbar

15-Feb-08

56,04,00,000

Semi Hit

15

Kites

20-May-10

47,85,00,000

Flop

16

Guzaarish

19-Nov-10

29,57,00,000

Disaster

17

Zindagi Na Milegi Dobara

15-Jul-11

86,72,00,000

Hit

18

Agneepath

26-Jan-12

122,61,00,000

Super Hit

19

Krrish 3 (Hindi)

01-Nov-13

198,66,00,000

Blockbuster

20

Bang Bang (Hindi)

02-Oct-14

144,86,00,000

Semi Hit

21

Mohenjo Daro

12-Aug-16

53,68,00,000

Disaster

22

Kaabil

25-Jan-17

92,71,00,000

Below Average

23

Super 30

12-Jul-19

1,47,00,00,000

Hit

24

War (Hindi)

02-Oct-19

2,92,00,00,000

Blockbuster

25

Vikram Vedha

30-Sep-22

79,53,00,000

Flop

26

Fighter

25-Jan-23

*

*

 

TOTAL

25 [24 years]

17,81,87,00,000

SUCCESS : 14/25

 

AVERAGE

1.04 PER YEAR

71,27,48,000

SUCCESS RATIO : 56%

 

 

 

 

HIT COUNT : 10/25

 

2000-2004 (5 Years)

11 MOVIES

2,71,48,00,000

All Time Blockbuster : 0

 

2005-2009 (5 Years)

3 MOVIES

2,15,20,00,000

Super Blockbuster : 1

 

2010-2014 (5 Years)

6 MOVIES

6,30,27,00,000

Blockbuster : 5

 

2015-2019 (2 Year)

4 MOVIES

5,85,39,00,000

Super Hit : 2

 

2020-2024 (5 Years)

2 MOVIES

79,53,00,000

Hit : 2

 

 

 

 

Semi Hit : 3

 

 

 

 

Average : 1

 

 

 

 

Below Average : 1

 

 

 

 

Flop : 7

 

 

 

 

Disaster : 3

 

 

 

 

INDIA HGOTY : 4