MEGASTARS OF INDIAN CINEMA
The peak of his career came in the early 1960s with films like Mughal-E-Azam (1960) and Ganga Jumna (1961), which created history and remain today among the biggest blockbusters of Hindi cinema. The performance in Ganga Jumna is also probably the greatest ever by an actor in India. The workload slowed after that, though the big hits still came with Ram Aur Shyam (1967) and Gopi (1970), but it was difficult now to fit into that traditional hero format due to age.
Basically the bigger the star, the bigger the risk with this genre. The more popular you are then the higher the expectations go which just can't be met with the genre especially the sort of number that is expected of a Shahrukh Khan or a Salman Khan starrer. Its difficult to meet expectations anyway and if a few circuits reject the film then the gap between expectation and final result can look huge which is the case with Fan.
The downside of mega stardom is that you can't really go out of the drama, action genre today as box office numbers are reported everywhere and outside these genres you need some outstanding film to put up a megastar number. Even the legendary megastars of prior generations with great box office records are likely to have filmographies devoid of thrillers.
The admissions were around 23k which is no joke for a film which has already been so widely watched for the last 27 years. The main reason of the response is Shahrukh Khan and shows the superstardom is at was before and now the wait for Pathaan which will see Shahrukh Khan in this type of action zone which has not been seen for years if ever seen.
One crore footfalls also means reaching an audience although some films need to reach a bigger audience due to the size of the films and most Salman Khan films come into this category. The one miss was Veer (2010) which was his first release of the decade and became before Dabangg (2010) which established his image of a mass action superstar across India and then films like Bodyguard, Ready and Ek Tha Tiger rubber stamped this image. Veer actually scored in Rajasthan and Bihar but Salman Khan was not the same star at the time of this release as he was a year or two later.
Basically just one film under 1 crore footfalls through the whole decade means most of his films got an audience irrelevent of content. If we compare then Aamir Khan had one film which fell under 1 crore footfalls in the 2000-2009 decade but there were just nine releases and Manoj Kumar had one miss in the 1970-1979 decade but only ten films. Limited films had a hand in not missing the 1 crore mark for Aamir Khan and Manoj Kumar.
Tiger Shroff Changes The Star Equation
Baaghi 2 released over a few weeks back has changed the equations as far as the star pecking order is considered. Tiger Shroff has come out of the blue with this film to stand on the tails of the big five (Khans, Akshay Kumar and Hrithik Roshan). In fact it could even be said that it will be Tiger Shroff that will be the driver of the untitled Hrithik Roshan / Tiger Shroff film to be released next October.
Tiger Shroff is at that point where a film has created an image and its up to him to either consolidate this over the next 2-3 years to become that big popular box office star or let the opportunity go and remain the normal star or even fade. If we look back over the last 30 years then these moments have arrived six times and three times they have been taken, twice missed and this one remains to be seen. The difference between Tiger Shroff and his contempories after Baaghi 2 is that he has become a man from a boy but the real battle starts now for him as its the consolidation that is harder than that one big opener which gives the chance to be a huge box office draw.
In 1990 Ghayal hit the screens and gave Sunny Deol that huge action image which he consolidated through the 90's with many super hits and if it was action and the film was poor it still opened to full houses. Ghayal released with Dil which was actually a bigger hit in the first six months of the their respective runs but the business of Ghayal went ahead within the next year as repeat runs did huge business as the image got stronger and stronger with time.
In 1995 Dilwale Dulhania Le Jayenge came and created another huge box office star. Actually it was not Dilwale Dulhania Le Jayenge that made Shahrukh Khan the big box office star as he became already big after Baazigar & Darr. After DDLJ release Romantic image was created busting the box office. Action has dominated the box office since the release of Mera Gaon Mera Desh in June 1971 till today and in those 47 years only Shahrukh Khan managed to create a huge fan following without an action image.
Then came the turn of Hrithik Roshan in 2006 as Krrish and Dhoom 2 hit screens within six months and the industry was on a verge of a huge action / dancing star but there was no consolidation. The next five years saw Jodhaa Akbar, Kites, Guzaarish and Zindagi Na Milegi Dobara, not one film was in the Krrish and Dhoom 2 zone which had created a potential megastar and although films like Krrish 3 and Bang Bang came later, the star draw was not the same as 2006 due to the likes of Zindagi Na Milegi Dobara and Guzaarish pushing the potential superstar down.
In 2009 came Wanted which was not a huge blockbuster but created this action star image for Salman Khan who until then was more of a romantic hero. He consolidated this image with films like Dabangg and Bodyguard and there was no looking back. These film were not the biggest blockbusters of the career of Salman Khan but created an image where the huge openings materialized which was not the case with some of the earlier bigger hits. A hugely popular box office star was created who till today dominates the ticket windows eight years later.
In 2013 it was the turn of Ranbir Kapoor with Yeh Jawaani Hai Deewani putting him on a pedestal with the youth going crazy over and it was just a matter of time when another huge star with youth on his side dominates the box office. But the audience has never seen Ranbir Kapoor in that Yeh Jawaani Hai Deewani format again and its been five years and those sort of chances rarely come again. A Raj Kumar Hirani film may turn out to be a bigger hit but its a biopic and it will not be your personality on screen but someone else so the impact is nothing like a Yeh Jawaani Hai Deewani for the audience. The mega opening of a poor film like Besharam released five months after Yeh jawwani Hai Deewani was a sign of what could have been but it was not to be.
Now its 2018 and Tiger Shroff is in the position where the guys above were and its about consolidating your image over the next 2-3 years if you can. There will be a lot of trashing by the media when you play to an image especially an action one, the films will not get not get stars and you will be told you are not a actor but you will have to rise above that and go by the facts and figures which never lie. All it takes is a mistake or two and you never get that time back again.
The audience will expect different films but with image intact and it remains to be seen if Tiger Shroff goes the Sunny Deol, Shahrukh Khan and Salman Khan way or misses the killer opportunity like Hrithik Roshan or Ranbir Kapoor. There will be stars in the younger generation that see image as a hindrance but it does not work that way as an image still allows you work in other genres as long as long as its in the commercial format. Yes the arty stuff is a risk but you cant have it both ways as stardom creates expectations and these expectations can only be matched or exceeded with popular cinema.
Naya Daur (1957) First Year Run Mumbai Circuit
Naya Daur (1957) First Year Run Mumbai Circuit
Naya
Daur (1957) First Year Mumbai Circuit
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Theatre
|
City
|
Run (Days)
|
Nett Gross
|
Distributor Share
|
Liberty
|
Mumbai
|
70
|
2,49,461
|
1,24,896
|
Broadway
|
Mumbai
|
140
|
1,74,238
|
66,124
|
Minerva
|
Mumbai
|
84
|
1,58,407
|
80,337
|
Neptune
|
Mumbai
|
63
|
73,113
|
33,074
|
Bharat Chitra Mandir
|
Mumbai
|
65
|
59,265
|
30,908
|
Palace
|
Mumbai
|
35
|
30,179
|
13,515
|
Alwyn
|
Mumbai
|
42
|
20,609
|
11,150
|
Kasturba
|
Mumbai
|
28
|
19,862
|
9,376
|
Prabhat
|
Mumbai
|
21
|
15,336
|
7,084
|
New Vyenkatesh
|
Mumbai
|
28
|
9,296
|
4,700
|
Paramount
|
Mumbai
|
15
|
7,732
|
4,409
|
Ganesh
|
Mumbai
|
21
|
7,528
|
4,213
|
Usha
|
Mumbai
|
7
|
7,321
|
2,819
|
Diamond
|
Mumbai
|
18
|
7,063
|
3,849
|
Goregaon
|
Mumbai
|
14
|
6,836
|
2,890
|
Lido
|
Mumbai
|
14
|
4,346
|
2,147
|
Uday
|
Mumbai
|
7
|
4,738
|
1,795
|
Vijay
|
Mumbai
|
7
|
4,519
|
1,717
|
Mumbai City and Suburbs Total
|
8,59,849
|
4,05,003
|
||
Krishna
|
Ahmedabad
|
217
|
2,50,752
|
1,24,897
|
Prince
|
Baroda
|
161
|
68,627
|
31,997
|
Super
|
Surat
|
91
|
59,447
|
26,660
|
Gisford
|
Rajkot
|
56
|
31,650
|
15,310
|
Roopam
|
Bhavnagar
|
49
|
30,370
|
16,270
|
Shatrushalya
|
Jamnagar
|
42
|
22,174
|
11,656
|
Globe
|
Nadiad
|
39
|
17,205
|
9,367
|
Diamond
|
Junagadh
|
36
|
13,636
|
7,624
|
Gopal
|
Anand
|
35
|
12,824
|
7,626
|
Harish
|
Porbandar
|
28
|
10,525
|
5,245
|
Vasant
|
Bharuch
|
24
|
10,468
|
4,986
|
Mahalaxmi
|
Surendranagar
|
42
|
10,159
|
5,725
|
Model
|
Bhuj
|
28
|
9,727
|
5,267
|
Vasant
|
Navsari
|
21
|
8,158
|
4,176
|
Usha
|
Adipur
|
13
|
8,033
|
4,447
|
Vijaya
|
Morvi
|
28
|
7,559
|
4,223
|
Liberty
|
Dhoraji
|
20
|
7,498
|
3,604
|
Victory
|
Gondal
|
16
|
6,019
|
3,294
|
Citylight
|
Palanpur
|
12
|
5,886
|
3,141
|
Krishna
|
Patan
|
21
|
5,748
|
2,746
|
Diamond
|
Veraval
|
21
|
5,259
|
2,815
|
Bharat
|
Dabhor
|
21
|
4,330
|
2,188
|
Navyug
|
Dhrangadhra
|
18
|
4,066
|
2,232
|
Laxmi
|
Mehsana
|
21
|
3,860
|
2,123
|
Natraj
|
Kapadwanj
|
21
|
3,718
|
1,847
|
Ashok
|
Amreli
|
17
|
3,449
|
1,870
|
Majestic
|
Viramgam
|
14
|
2,736
|
1,544
|
Laxmi
|
Mandvi
|
11
|
2,611
|
1,428
|
Diamond
|
Jetpur
|
7
|
2,218
|
1,014
|
Modern
|
Anjar
|
8
|
2,216
|
1,286
|
Gujarat Total
|
6,30,928
|
3,16,608
|
||
Globe
|
Pune
|
175
|
1,12,811
|
51,325
|
Capital
|
Pune
|
35
|
24,567
|
13,301
|
Madhukar
|
Nasik
|
77
|
29,044
|
14,583
|
Asha
|
Sholapur
|
92
|
33,822
|
16,979
|
Usha
|
Kohlapur
|
105
|
27,160
|
14,588
|
Central
|
Malegaon
|
79
|
24,184
|
12,360
|
Asha
|
Ahmednagar
|
42
|
17,906
|
9,404
|
Padma
|
Sangli
|
44
|
13,324
|
7,229
|
Shirin
|
Karad
|
42
|
9,004
|
4,125
|
Amar
|
Miraj
|
35
|
8,626
|
4,520
|
Anand Theatre
|
Satara
|
49
|
8,482
|
4,439
|
Asha
|
Barsi
|
28
|
7,803
|
3,286
|
A.C.
|
Khadki
|
27
|
7,722
|
4,074
|
Arun
|
Pandharpur
|
35
|
6,722
|
3,381
|
Radhakrishna
|
Ratnagiri
|
15
|
5,312
|
2,467
|
Bytco
|
Nasik Road
|
28
|
5,084
|
2,631
|
Adelphi
|
Deolali
|
14
|
4,706
|
2,637
|
Kishore
|
Shrirampur
|
13
|
4,415
|
2,458
|
Azad Chitra
|
Ichalkaranji
|
17
|
4,146
|
2,251
|
Prabhat
|
Bassein
|
12
|
3,939
|
1,790
|
Ratan
|
Panvel
|
13
|
3,249
|
2,043
|
Laxmi
|
Ambarnath
|
11
|
3,206
|
1,696
|
Chandra
|
Dahanu
|
14
|
2,191
|
1,207
|
Mohan
|
Islampur
|
21
|
2,106
|
1,179
|
Maharshtra Total
|
3,69,233
|
1,83,683
|
||
Chandrakala
|
Hubli
|
71
|
27,394
|
14,021
|
Ritz
|
Belgaum
|
84
|
26,275
|
13,234
|
Jayshri
|
Bijapur
|
35
|
10,437
|
5,349
|
Arun
|
Gadak
|
27
|
8,644
|
4,772
|
Shakti
|
Bagalkot
|
45
|
8,163
|
4,244
|
Laxmi
|
Dharwar
|
21
|
7,099
|
4,233
|
Shakti
|
Ranebennur
|
14
|
2,948
|
1,680
|
Prabhat
|
Nippani
|
18
|
2,613
|
1,293
|
Ram Chitra Mandir
|
Sankeshwar
|
22
|
2,181
|
1,137
|
Venus
|
Kumtha
|
10
|
1,908
|
1,097
|
Sagar
|
Sirsi
|
10
|
1,837
|
1,030
|
North Karnataka Total
|
99,499
|
52,090
|
||
GRAND
TOTAL
|
19,59,509
|
9,57,384
|
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