Showing posts with label HAHK. Show all posts
Showing posts with label HAHK. Show all posts

United Kingdom Evolution - £100k To £4 Million Of Pathaan

 


Pathaan has breached the £4 million mark in United Kingdom as it sits on around £4.3 million till date and there is a little more to come. This number was just unthinkable before the release of Pathaan as the biggest films were just getting over the £1 million.

 

 

It was believed within the UK market that if Shahrukh Khan delivered a good film then the records of Dhoom 3 and Bajrangi Bhaijaan should be in danger and maybe even the £3 million mark. The expectations should have been higher as films were crossing £2 million 15-20 years ago but the market was just not the same as as before.

 

United Kingdom has always been the main overseas market for Hindi films since the last ten years when it diminished. The circuit has a long history of Hindi releases since the 50's and it was in the mid 60's that releases became regular. Below is the evolution of the United Kingdom market for Hindi films from £100k to £4 million

 

 

£100k - Do Raaste (1970) - The first film to break the £100k as it did a share of 9 lakhs and a gross of a little over £100k in United Kingdom. The music of the film was a rage.

 

 

£250k - Purab Aur Paschim (1971) - A historic BLOCKBUSTER in UK which was a golden jubilee hit running for over 50 weeks in London. The shows were weekend shows only but this film had a show every week for 50 weeks. The share in United Kingdom was an insane 25 lakhs and the film grossed around £285k.

 

 

£500k and £1 million - The Purab Aur Paschim record was finally broken 23 years later with the release of Hum Aapke Hain Kaun (1994) which took the market to another level. The market had deteriorated due to video and it was this film that bought the audiences back again and Hindi films started to being consumed in cinemas as well rather than at home. Kum Aapke Hain Hain grossed £1.05 million in United Kingdom.

 

 

£1.5 million - After £1 million being breached it was not long that £1.5 million came along as Dilwale Dulhania Le Jayenge (1995) crossed  the mark the very next year. It was the landmark film which made Shahrukh Khan a huge megastar in United Kingdom and overseas. Dilwale Dulhania Le Jayenge grossed £1.58 million in United Kingdom.

 

 

£2 million - This mark was hit in 2001 with Kabhi Khushi Kabhie Gham (2001) which was a rage and remained the biggest grosser for 9 nine years and still probably has the highest number of footfalls for a Hindi film in the modern era in United Kingdom. Kabhi Khushi Kabhie Gham grossed £2.5 million

 

 

£3 and £4 million - Pathaan(2023) did the job on both these benchmarks as it takes the business in United Kingdom to another level. It is the biggest blockbuster in UK since Kabhi Khush Kabhie Gham and it is only Shahrukh Khan who can break this record and even target the next benchmark which is £5 million. Pathaan will probably end up with around £4.4 million mark.

 

 

Note - There were films like Bobby (1973), Roti Kapada Aur Makaan (1974) and Dharam Veer (1977) which went close or had a similar share to Purab Aur Paschim but the grosses were lower. It was all rentals then and post the insane success of Purab Aur Pashchim recovery became faster. Dharam Veer had a record initial of £50k in just 23 shows in 5 cities driven by the blockbuster music with two Mohammad Rafi solo's becoming a rage. Even in those days it was the music which could take a film to another level in UK and its pretty much the same today.

Rewind - Forty Years Of Historic Blockbuster KRANTI


Kranti released 40 years ago on this date and remains one of the greatest films in Hindi cinema where the audience went mad over the film from the very first show and then the film went on to create history. Kranti was about a revolutionary farmers oath to take on the British Raj told in an epic way with almost perfect storytelling for the Indian audience which struck a chord and how. It was also backed up with blockbuster music and heart wrenching emotions and all this puts it among the top ten films ever of Hindi cinema. Kranti is no doubt the biggest patriotic film ever seen in India with Gadar - Ek Prem Katha being next best.

The film released on 13th February 1981 in Mumbai, Delhi / UP, East Punjab, CP Berar, CI and Rajasthan to packed houses with a struggle to find tickets for weeks. The film then released in South a couple of weeks later while it made its entry into West Bengal and Bihar in April to an extraordinary response.

 

The film had a hust cast featuring Dilip Kumar, Manoj Kumar, Shashi Kapoor, Hema Malini, Shatrughan Sinha and Parveen Babi among others and was directed by Manoj Kumar who had four huge HITS to his credit but Kranti was set to go to another level compared to his earlier films.

 

At the time of release it was the fastest earner of all time setting first run records in practically all circuits barring Mumbai and South. It was the second highest grossing film ever behind Sholay but that is because no film could come close to the repeat run business of Sholay and nor will any film be able to. Kranti had higher business than Sholay if we count first run only.

 

If we look at it in terms of business today the film may well be showing a number of over 600 crore nett or even 700 crore nett. It celebrated a silver jubilee in 26 centres and even in places like Mirzapur (UP) and Jungadh (Gujarat) where jubilees were very rare. There are hardly ten films in history that have celebrated jubilees in over 25 centres.

 

The craze of the film was such that in places like Delhi, Rajasthan, UP and Haryana there were shops selling Kranti T shirts, jackets, vests and even underwear. The year 1981 was a big one for the industry which saw some huge BLOCKBUSTERS like Naseeb, Laawaris, Ek Duje Ke Liye, Love Story and Meri Awaaz Suno and many other HITS but Kranti stood apart and top of the pile.

 

The film in Delhi / UP was so huge that it released with 24 prints and within a few weeks you would except some of these prints going down into smaller centres for monetisation but even after ten weeks of release it had only hit Delhi city and 19 towns and cities of UP and still over 100 towns and cities to go which had cinemas. The collections in all major centres of UP were just refusing to drop week after week. The collections after ten weeks in places like Agra, Gorakhpur and Varanasi were stll competing with new releases. The first ten week figures in Delhi / UP are as follows. 

 

 

Week One - 15,01,254

 

Week Two - 14,93,362

 

Week Three - 14,35,710

 

Week Four - 14,08,561

 

Week Five - 12,14,008

 

Week Six - 12,01,502

 

Week Seven - 11,05,223

 

Week Eight - 11,39,816

 

Week Nine - 10,78,713

 

Week Ten - 10,10,027

 

TOTAL - 1,25,88,176 (10 weeks)

 

 

Kranti grossed 1.25 crore nett in Delhi / UP in ten weeks and then went on to do over 3 crore nett in its full run and before Hum Aapke Hain Kaun came in 1994 there were only three films in history to cross 3 crore nett in Delhi / UP and they were Sholay (1975), Kranti (1981) and Mard (1985).






Rewind: Salman Khan's interview to Filmy Duniya, April 1995.

Filmy Duniya,  April 1995


Filmy Duniya : Aapki Zindagi ka sabse behtareen pal ?
Salman : Jab meri mukhya abhineta ke taur par "Maine Pyar Kiya" release hui aur chali bhi khoob.


Filmy Duniya : Aur Sabse Kharab Pal ?
Salman : Ab Kya Bataein, Bura pal bhi yahi tha. Meri picture chali lekin mjhe koi nhi puch rha tha. Meri heroine saara shrey le gayin.  Mujhe sirf Media ka samarthan tha, lekin darshak aur film industry ke logon ko nhi lagta tha ki mjhe acting aati hai. Lagbhag 6 mahine ghar par khaali betha raha, Papa ne fir madat ki film dilwane mein.


Filmy Duniya : Fir Aapko "Baaghi" mili ?
Salman : Nhi, "Sanam Bewafa" pehle sign ki thi, lekin "Baaghi" pehle release hui. Jab "Baaghi" nhi chali tou maine Mumbai ke Distributor jo kaafi nuksaan mei tthe, unko "Patthar Ke Phool" kam daam mein dilwayi lekin shayad kismat kharab thi, wo bhi nhi chali. 


Filmy Duniya : "Hum Aapke Hain Kaun" ke baad aapki 3 filmein aur Flop ho gayin, aur jin chuninda filmo mein aapko safalta mil rahi hai wahan abhinay mein koi aur baazi maar le jata hai.
Salman : Media aur alochak tou hamesha dost rahe hain, sabne acha hi likha hai hamesha. Darshak bhi dheere dheere apnane lage hain. Abhi kuch comedy filmein bhi kar raha hoon, ek mein dohri bhumika hai, koshish tou hai kuch acha aur alag karne ki baaki darshak pe hai wo kitna apnate hain.


Filmy Duniya : Aisi Koi Bhumika jisko nibhana aapka sapna hai ?
Salman : Main Kisi bhaari bharkam "Mughal-E-Azam" mein yakeen nhi rakhta, mera pasandida kirdar "Mard" film se "Amitabh Bachchan" ka hai. Main jab bhi apni alag picture likhunga, "Mard" ko jehen mei rakh ke hi likhunga. 


Filmy Duniya : "Maine Pyaar Kiya" aur "Hum Aapke Hain Kaun" ke beech aapki kaafi filmein asafal rahi, kya aap nirash the ?
Salman : Nahi, aap bhul rahe hain "Saajan" aur "Sanam Bewafa" achi chali thi. 


Filmy Duniya : Lekin "Saajan" mein kahin na kahin "Madhuri" aur "Sanjay Dutt" ke aage aapko utna shrey nhi mil paya, aapko nahi lagta ?
Salman : "Saajan" sirf gaano ki wajah se chali thi aur "Sanjay Dutt" bade bhai hain. Unka abhinay aur patr mujhse jyada behtar tthe. Meri aane waali film "Jeet" mein bhi "Sunny Deol" mukhya bhumika mein hain. Jabki "Majhdhaar" "Khamoshi" aur "Auzaar" mein mera ahem kirdar hai. Ye sab chalta rehta hai. Hum koi "Bachchan" nahi hain ki har picture mein chaaye rahen. 


Filmy Duniya : Kya Aapko lagta hai wo daur phir se aaega jab ek kalakaar industry pe raaj karega ?
Salman : Main nhi chahta aisa daur kabhi firse aaye. "Amitabh Bachchan" ki shaksiyat kisi aur ko ubharne ke mauka nhi deti thi, lekin humko film chalane ke liye sabko sath lekar chalna hota hai. Unke jaane ke baad daur badal chuka hai, keh sakte hain 1960 ke dashak ki tarah abhinetriyan phir se apni upastithi darj karwa rahi hain aur ye badlav acha hi hai.





The Real Winner With Dhadak

























Dhadak
is a HIT at the box office and its mainly about how the industry has got two new stars which is not true as only a handful of newcomers becomes stars with their first films. Even a Varun Dhawan and Alia Bhatt had to wait for Main Tera Hero and 2 States respectively to hit stardom.

So its basically about what happens post Dhadak here for the newcomers in this film and can they establish themselves.
It will beat the numbers of Student Of The Year in a couple of days time to become the highest grossing films with newcomers. Dhadak will the highest GROSSER with newcomers in a leading role not the biggest HIT as there are films like Bobby (1973), Betaab (1983) and Maine Pyaar Kiya (1989) which are possibly in the 300 crore nett plus level today with 3 crore or even more footfalls.

The real winner with Dhadak is Shashank Khaitan who has given a hatrick of hits in his first three films. The film had that desi earthy touch which is what worked for the film. The families have kept away due to the climax but the mass youth has lapped the film up.

Shashank Khaitaan has gone more earthy with each of his films with Humpty Sharma Ki Dulhnaia being a semi desi film and then to the earthy Badrinath Ki Dulhania and now Dhadak is one up on Badrinath Ki Dulhania as fas as the rural feel is concerned.

There are complaints that it does not compare well with the original Marathi film Sairat from where Dhadak is adapted but that same film will never work in Hindi as the demands of commercial Hindi cinema are different.
The test for Khaitan will be now as bigger numbers will be expected now and they only come with a bigger canvas and to have the big canvas with a earthy feel is not easy unless you go the period film. 

But no after 3 hit films on the bounce he is one of the bankable directors in the country of which there are very few. The directors to give a hatrick of hits in their first three films are as follows.

Sooraj Barjatya (Maine Pyaar Kiya, Hum Aapke Hain Kaun, Hum Saath Saath Hain)
Indra Kumar (Dil, Beta, Raja)

Aditya Chopra (Dilwale Dulhania Le Jayenge, Mohabbatein, Rab Ne Bana Di Jodi)

Rajkumar Hirani (Munnabhai MBBS, Lage Raho Munnabhai, 3 Idiots)

Sajid Khan (Heyy Babyy, Housefull, Housefull 2)

Shashank Khaitan (Humpty Sharma Ki Dulhania, Badrinath Ki Dulhania, Dhadak)

Rajkumar Hirani has now given five hits as his first five films which matches the legend Manoj Kumar who also had the same feat until the sixth film Clerk flopped.

Note - Sooraj Barjatya, Aditya Chopra and Indra Kumar delivered a hatrick of blockbusters while two of Rajkumar Hirani films out of first three were also Blockbusters. The records of Sajid Khan and Shashank Khaitaan are similar with 1 Super Hit and 2 Hits.



HIGHEST GROSSER OF THE YEAR



HIGHEST GROSSER OF THE YEAR

 

INDIA HGOTY

OVERSEAS HGOTY

WORLDWIDE HGOTY

2023

JAWAN
PATHAAN
JAWAN

2022

KGF Chapter 2
RRR
RRR

2021

PUSHPA:The Rise
83
PUSHPA:The Rise

2020

TANHAJI The Unsung Warrior
DARBAR
TANHAJI The Unsung Warrior

2019


AVENGERS ENDGAME : 368 CR
WAR : 304 CR

WAR
WAR

2018

2.0
ANDHADHUN
2.0

2017

BAHUBALI 2

SECRET SUPERSTAR
BAHUBALI 2

2016

DANGAL
DANGAL
DANGAL

2015

BAHUBALI
BAJRANGI BHAIJAAN

BAJRANGI BHAIJAAN

2014

PK

PK
PK

2013

DHOOM 3
DHOOM 3
DHOOM 3

2012

EK THA TIGER
JAB TAK HAI JAAN
EK THA TIGER

2011

BODYGUARD
DON 2
BODYGUARD

2010

ROBOT
MY NAME IS KHAN
ROBOT

2009

3 idiots
3 idiots
3 idiots

2008

GHAJINI
RAB NE BANA DI JODI
GHAJINI

2007

SIVAJI:THE BOSS
OM SHANTI OM
OM SHANTI OM

2006

DHOOM : 2
KABHI ALVIDA NA KEHNA
DHOOM : 2

2005

CHANDRAMUKHI
BLACK
CHANDRAMUKHI

2004

VEER-ZAARA
VEER-ZAARA
VEER-ZAARA

2003

KOI... MIL GAYA
KAL HO NA HO
KAL HO NA HO

2002

DEVDAS
DEVDAS
DEVDAS

2001

GADAR EK PREM KATHA
KABHI KHUSHI KABHIE GHAM...
KABHI KHUSHI KABHIE GHAM...

2000

KAHO NAA... PYAAR HAI
MOHABBATEIN
MOHABBATEIN

1999

HUM SAATH SAATH HAIN
TAAL
HUM SAATH SAATH HAIN

1998

KUCH KUCH HOTA HAI
KUCH KUCH HOTA HAI
KUCH KUCH HOTA HAI

1997

BORDER
DIL TO PAGAL HAI
DIL TO PAGAL HAI

1996

RAJA HINDUSTANI
KHAMOSHI
RAJA HINDUSTANI

1995

DILWALE DULHANIA LE JAYENGE
DILWALE DULHANIA LE JAYENGE
DILWALE DULHANIA LE JAYENGE

1994

HUM AAPKE HAIN KAUN
HUM AAPKE HAIN KAUN
HUM AAPKE HAIN KAUN

1993

AANKHEN
DARR
AANKHEN

1992

BETA
RAJU BAN GAYA GENTLEMAN
BETA

1991

SAUDAGAR
SHIKARI THE HUNTER
SAUDAGAR

1990

GHAYAL
AJOOBA
GHAYAL

1989

MAINE PYAR KIYA
MAINE PYAR KIYA
MAINE PYAR KIYA

1988

TEZAAB
SALAAM BOMBAY
TEZAAB

1987

HUKUMAT
DANCE DANCE
DANCE DANCE

1986

KARMA
MAIN BALWAAN
KARMA

1985

RAM TERI GANGA MAILI
RAM TERI GANGA MAILI
RAM TERI GANGA MAILI

1984

TOHFA
JAGIR
JAGIR

1983

COOLIE
AGAR TUM NA HOTE
COOLIE

1982

VIDHAATA
DISCO DANCER
DISCO DANCER

1981

KRANTI
JYOTI
KRANTI

1980

QURBANI
ALIBABA AUR 40 CHOR
ALIBABA AUR 40 CHOR

1979

SUHAAG
JHOOTA KAHIN KA
SUHAAG

1978

MUQADDAR KA SIKANDAR
TRISHUL
MUQADDAR KA SIKANDAR

1977

DHARAM-VEER
DHARAM-VEER
DHARAM-VEER

1976

DUS NUMBRI
BAROOD
BAROOD

1975

SHOLAY
SHOLAY
SHOLAY

1974

ROTI KAPDA AUR MAKAAN
CHOR MACHAYE SHOR
ROTI KAPDA AUR MAKAAN

1973

BOBBY
BOBBY
BOBBY

1972

SEETA AUR GEETA
SEETA AUR GEETA
SEETA AUR GEETA

1971

MERA GAON MERA DESH
CARAVAN
CARAVAN

1970

JOHNY MERA NAAM
MERA NAAM JOKER
MERA NAAM JOKER

1969

DO RAASTE
ARADHANA
ARADHANA

1968

ANKHEN
DUNIYA
DUNIYA

1967

UPKAR
HAMRAAZ
HAMRAAZ

1966

PHOOL AUR PATTHAR
MAMTA
PHOOL AUR PATTHAR

1965

WAQT
ARZOO
ARZOO

1964

SANGAM
GEET GAAYA PATTHARON NE
SANGAM

1963

MERE MEHBOOB
TERE GHAR KE SAMNE
MERE MEHBOOB

1962

BEES SAAL BAAD
CHINA TOWN
BEES SAAL BAAD

1961

GUNGA JUMNA
GUNGA JUMNA
GUNGA JUMNA

1960

MUGHAL-E-AZAM
LOVE IN SIMLA
MUGHAL-E-AZAM

1959

ANARI
CHAR DIL CHAR RAHEN
CHAR DIL CHAR RAHEN

1958

MADHUMATI
KALA PANI
MADHUMATI

1957

MOTHER INDIA
SHARADA
MOTHER INDIA

1956

C.I.D.
JAGTE RAHO
JAGTE RAHO

1955

SHREE 420
SHREE 420
SHREE 420

1954

NAGIN
TAXI DRIVER
NAGIN

1953

ANARKALI
FOOTPATH
ANARKALI

1952

AAN
AANDHIYAN
AAN

1951

AWARA
AWARA
AWARA

1950

SAMADHI
BABUL
SAMADHI

1949

BARSAAT
BARSAAT
BARSAAT

1948

CHANDRALEKHA
CHANDRALEKHA
CHANDRALEKHA

1947

JUGNU
MIRZA SAHIBAN
JUGNU

1946

ANMOL GHADI
DHARTI KE LAL
ANMOL GHADI

1945

ZEENAT

-

ZEENAT

1944

RATTAN

-

RATTAN

1943

KISMET

-

KISMET

1942

BASANT

-

BASANT

1941

KHAZANCHI

-

KHAZANCHI

1940

ZINDAGI

-

ZINDAGI